Reed Boats


As the waters lap against the shores, tall totora (reeds) sway gently against the breeze. These plants have been swaying in the wind for centuries, growing in abundance by the rivers and lakes of Egypt, Africa and South America. Ingenious ancient civilisations learnt to use these reeds for the construction of their sailing vessels, with which they plied the waterways for trade and exploration. Reed boat building is one of the oldest maritime technologies in the world - an art that has been passed down from generation to generation. Today, however, it is a dying craft with only a handful of boat builders left in the world. These fragile looking vessels are surprisingly sturdy and can survive challenging river and weather conditions. Because of the porous nature of the boat, water does not get trapped inside, but filters through it instead.

Thor Heyerdhal who sailed across both the Pacific and the Atlantic Oceans proved that reed boats could even be used as ocean crafts.

Kota Mama's Boat Builders


For the Kota Mama expedition the SES used the expertise of Maximo Cartari and his son Erik, a student of industrial engineering. The Cartari family are Aymara Indians who live in a wind swept corner of South America, on the Bolivian shore of Lake Titicaca. They undertook extensive research into their heritage to build the boats used in all three phases of the expedition.

Constructing Kota Mama's Reed Boats

The totora (reeds) around Lake Titicaca are gathered while still fresh and are formed into bundles tied with rope made from ichu (prairie grass). These bundles are then left to dry for several weeks. Next they are bound into long tapering cigar-shaped cylinders to form the spine of the boat and pounded into a crescent shape. More bundles are added longitudinally to give the boat body and transversely to trap air and increase buoyancy. A light folding mast carries the square sail and a long oar helps steer the craft.

The prow of the boat is traditionally topped with an animal's head fashioned from reeds. The head of a puma adorned the bows of the Kota Mama, the expedition's flagship during Phase I, while the other two boats, the Viracocha and the Pacha Kutec sported condor heads.

The reed boats for phases II and III were sponsored by
JP Knight.

 
 
 
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